Week 11

During week five, we merged our assets and began final scene assembly. My teammate imported the completed boat model while I placed Genevieve in a neutral standing pose beside it. We coordinated lighting and scale to ensure the two pieces felt like part of the same world.

Textures were only added near the end of the week, so our time to experiment was limited. Even with minimal textures, the forms held up well because the modelling captured the design’s rhythm and proportions.

This made me reflect on the importance of workflow planning: texturing late left less opportunity for fine-tuning, but our strong base models kept the presentation looking good, even with minimal colours. Communication with my teammate remained smooth; we exchanged feedback weekly and adjusted both assets to preserve the authenticity of each of the models.

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